The inspiration behind Northern
(including its music, title and photography) comes from Deupree’s recent relocation from the heart of urban activity in Brooklyn to the tranquility of the forest in upstate New York. Inspired by nature and the winter during which it was created, Northern, like much of his recent work, explores Deupree’s interest in stillness and a slowed sense of time. Through quiet textures, subtle movements, faint loops and echoes, it was his goal to create the type of music that comes naturally to him while also highlighting the input from his dramatic new surroundings.
In contrast to the brazen repetition found on Stil.
more ephemeral approach to Deupree’s theme comes from looking at the stillness found outside of his studio windows: large, looming boulders, the softness of snow, and the hushed whisper of wind and fallen leaves; it is a world of countless tiny movements so active that an implied stillness results from the din it creates.
Deupree’s earthbound ideas in the album are rooted in his choice of sounds and studio practices. His now-signature Kyma manipulations are still prominent, but they have been applied to improvised electric piano, melodica, guitar, and field recordings using techniques picked up from his experimental/pop collaboration with Eisi (Every Still Day
, Noble Records, Japan, 2005). A careful balance is kept through the layering of synthetic source tones of basic waveforms and long, drawn-out, fragile swells. Northern is melodic, warm and introspective, forming a bed of sound that is simultaneously quiet and noisy, structured and unsettled, looping and chaotic.
Deupree has dedicated Northern
January (Spekk, Japan), and the first on 12k since the seminal Stil.
Two Point Two
Taylor Deupree + Christopher Willits
Live In Japan, 2004
Snow (Dusk, Dawn)
Weather & Worn