Review of Between You And The Shapes You Take [12k1078]

Sound Projector (.COM)

Reflective, guitar-rooted atmospherics with an evident indifference towards definite statements, like a long stretch of fence wire singing sadly in the open country wind. The title and music suggest a threshold where form surrenders to a tentative state of being, while unnameable somethings fleet past in the hazy traces of dawn light.

Following on from the pair’s 2009 recording, The Gorilla Variations, Between You And The Shapes You Take was improvised in seemingly quiet surroundings by Vitiello (guitar and processing) and Berg (clarinet and vocals) – largely without prior discussion (the two have enough of a collaborative history to have a strong intuitive rapport) – then whittled and tweaked into these ten charming, melancholy miniatures. Along with maudlin mountain winds, twangs and picks, one catches snatches of radio noise, lilting sighs, organ, flutes and grainy oscillations, all of which elements are largely stripped of their defining features to conform with the music’s hazy wholeness. Instrumental contributions are delicate and minimal, occasionally punctuating the haze like small rocks jutting from the stream’s surface. It’s sometimes remote, sometimes warm in a Fennesz-y way, but ever shy of direct physical manifestation.

While each track offers sufficient variation from that previous, listeners who favour ‘event’ coverage are not advised to partake: your heavy hands will be thwarted by its illusiveness. Nor should it be played specifically for relaxation purposes, for Eno it ain’t. These pieces describe a dreamy netherworld lit by errant sparks from unearthed appliances and loosely defined by the stupor of forgotten selves ambling through the obtrusive undergrowth of one’s mental antipodes.

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