Review of Solstøv [12k1081]

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Despite the fact they keep on orbiting around the glacial sonorities that they usually explore, the third album by Norwegian duo Pjusk on 12k and their fourth one in their discography reaches highest stylistical peaks as this masterpiece just derives from the (both natural and processed with the help of label boss Taylor Deupree) sound of Kare Nymark Jr’s trumpet. Rune Sagevik and Jolstein Dahl Gjelsvik come back their icy homecountry after their previous excursions over the snowy Russian landscapes and immediately introduces a foretaste of their forthcoming collaborative release with Sleep Orchestra by the ethereal track “Streif”, the only one of the album which can be properly considered a droning piece as most of the following tracks are astonishing alternation of natural and wisely processed trumpet, which becomes a sort of medium between the glacial places they manage to evoke and netherworld. The unpredictable eruptions of trumpet, which breaks Pjusk’s effusions of placid frequencies on tracks like “Falmet” or “Blaff” are real emotional plunging and got often camouflaged together with other instrumental entities and field recordings in a sort of mimetic game as it happens on the astonishing “Demring” or even more dramatically on “Glod”, the track which precedes the entrancing final track “Skimt”, whose pulsating mantra got enhanced by Japanese sound artist Yui Onodera. Definitively one of the best electroacoustic “environ-mental” ambient album that titilated my eardrums this year.

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