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SEAWORTHY
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SELECTED INTERVIEWS
Seaworthy, a three piece collective that revolves around core member
Cameron Webb as well as Sam Shinazzi and Greg Bird, was formed in
early 2000 to explore melodic and experimental approaches to the
construction (and unravelling) of minimalist sound scapes from looped
guitar, warm drones, piano, electronics and field recordings.
The compositions often blur the lines of conventional categorisation
with elements traditionally considered part of “indie”
or “post” rock blended with processed musical and field
recordings usually associated with electronic artists. Instruments
and samples are often looped through amps and effects pedals, giving
the sound an organic feel. Avoiding the muscular approach of loud/soft
dynamics, Seaworthy concentrate on subtle shifts in melody, tone
and texture to convey a sense of time and place.
Webb has a PhD in environmental science and specialises in field
based ecological research where much of his time is spent in isolated
wetland environments. Many field recordings undertaken in these
locations form the basis for textural drones and rhythms from which
guitar loops and percussion can be blended. Similarly, these environmental
experiences form much of the inspiration for Seaworthy’s compositions
and extend beyond the music into the aesthetic presentation of live
visual projections and CD/vinyl packaging of their limited edition
releases (often featuring silkscreened or lino printed designs on
recycled cardboard, individually constructed sleeves).
Seaworthy’s debut album, It’s humbling when two saints
meet was recorded in a suburban lounge room on a cassette 4-track
and despite the relatively lo-fi approach to the record’s
production, the results proved popular with local radio and received
glowing reviews – providing the impetus to continue the project
and pursue the possibilities of live performance. Seaworthy have
been invited to perform with a wide range of Australian artists
including Because of Ghosts, Triosk, This is your Captain Speaking,
Sodastream and Grand Salvo, as well as international artists including
Tujiko Noriko (Japan) and Pajo (USA).
As well as many releasing limited edition material (CDRs & lathe-cut
7”s) themselves, Seaworthy have worked with many local and
overseas labels including Feral Media (Australia), Black Lodge Audio
(Australia), Celebrate Psi Phenomenon (New Zealand), Misplaced Music
(UK), 555 (UK), Marino (US) and Fat Cat (UK).
SELECTED
DISCOGRAPHY:
1897|
12k, US | 2009
Map
in Hand
| 12k, US | 2006
Sunday 26 March 2006 | Celebrate
Psi Phenomenon, NZ | 2006
Distant Hills Burn Bright
| Black Lodge Audio, Australia | 2006
Map in Hand | Background
Frequencies/Feral Media, Australia | 2005
Backwoods Architecture |
Background Frequencies, Australia | 2004
It’s Humbling When Two Saints
Meet | Steady Cam, Australia | 2001
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