FourColor

As Pleat

12k1065

REVIEW: HEADPHONE COMMUTE (US)

VISIT The latest release from the label veteran, Keiichi Sugimoto, recording under the artist name Fourcolor, comes just in time to soothe the daily grind and blanket the room with spacial textures in As Pleat. Featuring a cover painting and vocal contributions from the lovely Sanae Yamasaki (Moskitoo), Sugimoto’s third full length album for 12k (and fifth altogether) finds him further into experimentation with his guitar, slight hints of digital processing and accidental acoustic manipulation. It is indeed a very warm record, swaying in the air with gracious vibes, soft sonic fumes, and light, shimmering haze of harmonies and strummed chords. Sugimoto continues his quest in search of simple sounds in between the rest, urging his listeners to appreciate the beauty in both, simple layering and complex textures. And from ambient swells to glitchy skip-editing, the album manages to achieve just that. “As Pleat is unquestionably Fourcolor, but there is a pillow-like quality to the sound, a softness that plays beautifully off of the more organic edits and sharper plucks that all combine to create the most engaging Fourcolor album to date.” Be sure to check out Yamasaki’s previous releases on 12k: Air Curtain (2004) and Letter Of Sounds (2006). As well as his work with the electro-acoustic quartet, Minamo: Shining (2005) and Durée (2010), also available on 12k. Recommended if you like Tomasz Bednarczyk, Opitope, Chihei Hatakeyama, Lawrence English and Pillowdiver among the many.
FourColor
As Pleat