Plenty different indeed, I wonder sometimes if things weren't so readily available and easy to use, would I be doing the legwork and experimentation to get there? If you guys know of a book re: history of the studio as a musical instrument, I'd be very interested. You catch bits and pieces of information left and right, but a comprehensive synthesis would be nice.
*What are you listening to?*
I've been on a gipsy guitar spree: Django, Stochelo Rosenberg, Dorado Shmidt, Bireli Lagrène, Stephane Wrembel, etc.