i have a copy and it's wonderful. a simple, but nice idea and beautiful designed.
a very nice object about sound without any sound...
rutger also asked my for my favourite sounds (but as they're not included in the booki thought i'd post them here)...
maybe other forum members could also post their favourite sounds?
It's definitely a rather thought provoking question, isn't it? If 2009 stands out for me as an artist working with sound in any one way, I'd have to say that it was the year in which I really started to listen to my surroundings. Between projects like Taylor's one sound each day series and this book, I found myself actually starting to pay attention to all the myriad sonic minutiae that we are constantly immersed within, a new obsession that ultimately lead to me capturing my own field recordings.
That said, I've found myself constantly enamored with all things related to water. Be it streams, the slow (or frantic) drip of a downspout, ice melting or whatever, I could sit and listen to water all day! Also, the sound of the marshes on the western side of the Chesapeake Bay where my parents store their boat. Those are some of the richest sonic environments I've ever come across...