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VIEW LARGER COVER SHUTTLE358
FRAME
CAT.NO:
12k2005
EDITION: 1000
RELEASE: FEBRUARY 2007
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TRACKS:
frame (MP3)
out out
broom
fissure
lyndon tree (MP3)
sequence
hasp22
calty
isonpgn
spiff |
12k
is very happy to announce the much-asked-for and long-awaited
re-release of not only one of the label’s most popular and
critically acclaimed albums but one of highlights of the entire
microsound genre: Shuttle358 Frame.
Complete with the original recording and video, Frame
has been repackaged for 12k’s Limited Series into a unique
chipboard sleeve on which all graphics and text are printed only
with white ink. The re-issue of this classic album will give a
new generation of 12k followers a listen to one of the label’s
most defining moments.
The orignal press-release text (from 12k1011, Shuttle358 Frame):
Frame is the much anticipated follow up release to 1999’s
debut optimal.lp, a compact disc which caused quite a bit of critical
stir as a very impressive and original work for a new artist.
Dan Abrams (aka: shuttle358) seamlessly blends stark textures/drones
with digital disfunction. Clicks, skips and tiny mechanized rhythms
intertwine in hypnotic form that Abrams allows to evolve in a
very organic way. Frame picks up where optimal.lp left off. a
bit more distant with excursions into deeper realms of Abrams’
signature skittish minimalist rhythmic work.
Frame includes a video, filmed and directed Abrams himself,
in DVCAM for the opening title track of the album. It is available
on the cd in Quicktime format, as well as a separate high-res
VHS release (12k9004). The use of movement and abstracted forms
along with a subtle color palette of whites, blues and yellows
is a perfect visual accompaniment to the fragile rhythms of his
work.
Dan Abrams — “If you put an empty frame against a
blank wall, you suddenly notice the the color, the patterns, the
imperfections in the plaster. The frame is like a window of perception.
It takes the wall outside time. The frame draws attention to what
is within it—it magnifies it, you focus on it, it begins
to symbolize the whole wall.”
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