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>> REVIEWS
>> PDF TRACKS: 01 fonica "4.55"
02 fonica "3.33"
03 keith fullerton whitman "lettera"
04 sebastien roux " biratori"
05 sebastien roux "utaro"
06 sebastien roux "toasa"
07 christopher willits "the baroque machine"
08 christopher willits "the macrobiotic machine"
09 christopher willits "the rollerskaing in s.f...."
10 christopher willits "the kotekan machine"
11 christopher willits "the yellow sprout machine"
12 christopher willits "the seaweed machine"
13 christopher willits "the fall in love machine"
14christopher willits "champagne and soda"
Instrument
relatives of the guitar can be traced back as far as the 3rd century.
Many adaptations were made to the interface over hundreds of years:
3, 5 strings, coupled strings, no coupled strings, 6 strings,
always changing with technological advances in instrument craft,
new materials from overseas locations, and selection pressures
brought upon by musical fashions of the day. The 20th century
mixture of guitar + electricity (pickups, amplifiers, processing
circuits) changed music as we know it. The 21st century guitar,
still cousin to the third century Arabian ud, can now be
seduced by personal computers and software tools. The old stringed
melody-maker, re-sonified and exploded though do-it-yourself digital
signal processing, has assumed yet a new form of assemblage and
mixture with modern technology. Suddenly the 6 strings seem refreshed,
and open to a new notion of guitar music; a music generated from
vibrating strings meshed with software processes.
12k embraces this idea by presenting four artists who create contemporary
sonic hybrids of guitar and digital processing. EADGBE
is by no means trying to be a definitive voice of these practices,
but rather a sound focused through the 12k filter of minimalism
and subtle textures.
The title, EADGBE, comes
from the root tunings of each string on a 6-stringed guitar.
FONICA (JP) Fonica are duo Keiichi Sugimoto and Cheason from Tokyo, Japan.
Keiichi is also a member of Minamo and runs the Cubic Music label.
Cheason designs all the artwork for the Plop label.
KEITH FULLERTON WHITMAN (US) Keith Fullerton Whitman has produced full length recordings
for the Kranky, Locust, Planet-Mu, and Reckankreuzungs Klankewerkzeuge
labels under his own name as well as under the guise of Hrvatski.
He has collaborated with Matmos, Oren Ambarchi, David Grubbs,
Michael Karoli, and Joseph Suchy.
SÉBASTIEN ROUX (FR) Sébastien Roux is in charge of development in the room
acoustics team at IRCAM (Paris) where he builds spatialisation
and room effect synthesis tools. He first explored music as a
guitarist in various experimental-post rock-ambient bands. His
current solo work can be defined as melodic, electronic and organic
ambient compositions based on digitally processed guitar drones.
He also plays with Eddie Ladoire in a duet called Heller in which
he combines his electronics drones with Eddies hyper digital
manipulations.
CHRISTOPHER WILLITS (US) Christopher Willits is a musician, multimedia artist and sound
engineer located in San Francisco. His musical focus is characterized
by guitar + computer software processing and improvisation that
generates a unique folded and woven surface of melody and rhythm.
In late 2002 12k released Folding, and the Tea, the
first widely distributed release of Willits folded guitar
recordings. Willits studied Electronic Music and Recording Media
at Mills College, and he instructs Sound Design and Electronic
Music courses at the San Francisco Art Institute, Vista College,
and The Bay Area Video Coalition.